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T-Minus Band
: The Morning After
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Reviewed
by Fleabomb.com
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Fleabomb.com
T-Minus Band's
third full-length release, The Morning After, shows a steepening
curve of musical maturation, a grander vision, and a wider base.
To his credit, Troy-T is one of the few independent rock musicians
who I have heard openly mention the Grateful Dead as a great band
and an influence. Given that both bands bear the moniker "Americana"
pertaining to their genre, certain similarities have popped up in
past albums and recordings, but never quite as strongly and prevalently
as in TMA. While I don't doubt that this will scare off some of
the lesser musical minds in indieville (there seem to be a lot more
now than there used to be), it should perk up the ears of true music
enthusiasts, being aware of the Dead's mammoth contributions to
American music, regardless of their personal views of the band.
Like his other albums, T-Minus Band infuses the listener with an
errant sense of nostalgia, almost as if he or she is eavesdropping
on someone else's memories. "If It Ever Was At All" is
one of the more beguiling songs of the album in this sense, made
complete by the willowy vocals of Tanya West (Trees with Bells),
followed by the dirge "Rails," wherein the listener once
again gets the feeling they are hearing perhaps too many personal
details. "Rails," like "Salt Peter," also bears
that unmistakable similarity to the Dead in tradition and song structure.
Fans of T-Minus's more rock, radio-friendly side will welcome "Sinking,"
which claims its rightful spot alongside "2084" and "Under
the Radar Screen" as one of the bands top singles. Also worthy
of note is "Waves of Grain," a particularly biting and
insightful protest song. One thing which does not change from album
to album is the excellent production by Troy-T which gives each
album relentless continuity and its own personality. All in all,
a wonderful addition to the Americana genre and the T-Minus Band
catalog. - Stanley Holditch
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